It’s about time for her 2 o'clock feed. Of course, I was in La-La land and now I have to prepare the milk when she is already anxious and crying in dispair…
That’s my luck… I’m starting to whistle a song when the next one is already starting (1:20). The truth is that it doesn’t seem that the music is having any effect just by itself, and it isn’t until I am finished getting the bottle warmer ready and we start the dnce that she begins to forget her hunger.
(04:50) As the song ends, a dog barks as an answer to the siren of an ambulance or a police car. Such sounds slip into the room. For a moment, barking, music and sirens blend as if they all were part of a single composition. These are casual and subtle games to which we normally pay no attention but, when one stops and listens, they become quite entertaining and suggestive because, in the end, one can daydream and imagine anything at will…
(06:25) Sometimes
it's not even necessary for the song to end: in an impasse, the taps of the bottle shaking inside the bottle warmer, a
bicycle’s bell, and the warning signal of the bottle warmer configure a
self-governing tune, its sounds almost concealing one another... and all at
once with Alea’s hollers of hunger.
(07:35)This dignified and delicate song is perfect for Alea's feeding time, but also for the street and home sounds to dialogue and offer their subtle and random games. I adjust the volumen… and listen…
It is difficult to explain the sensations
that invade me when I listen to such an arbitrary and fleeting sound blend
crafted by the metallic strikes that alert us of the momentary presence of the
butane delivery truck (which brings forward a spatial dimmension typical of a
busy street) and the song that is currently playing (which resonates in the
closed space of the living room). In addition, Alea’s suction to the bottle’s
nipple (and the subsequent breaths that the bottle takes in order to recuperate
the air lost with each suction) interposes itself amid the song of some birds
that no longer chirp while flying but instead remain motionless, and it even
seems, at times, that they intone a melody expressly written for this moment.
Alea’s suctions braided in with the birds’ songs bare the value of this moment.
Feeding time.
Also, in some occasions, the doors that
reinforce the end of a piano phrase or
the screech produced by the motion of the cab running through a small section down
the arm of a crane (working on the lengthy remodeling of Borne Market) highlight
a voice.
(09:45) These
are individual, autonomous sounds with a life of their own but they all arrive
on time, each one with its own idiosyncrasy, with its own attire and sheen, to an
unscheduled appointment…
(11:26)To
finish it all up, a great breath from the bottle seized by the claws of the
beast!
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